33rd “In The Tradition…”Annual National Festival and Conference of Black Storytelling-Victory and Vision

Dylan PritchettJambo! Peace and Blessings, National Association of Black Storytellers family and friends!  Green leaves are turning beautiful fall colors. A little chill greets us in the morning and evening.  Some of us are beginning to pack for that annual Homecoming, Home Gathering of jeliw, storytellers, storylisteners and storylovers from Ohio, Pennsylvania, the New England States, New York, Louisiana, North Carolina, Mississippi, Minnesota, New Jersey, the Mid-West, West Virginia, California, Georgia, Baltimore (the center of the known universe) and beyond. Because, it is time for that annual warm hugging, bright smiling, awesome drumming, tall tale telling, audacious storytelling event, the 33rd “In the Tradition… “Annual National Black Storytelling Festival and Conference.

The organizers have been working extremely hard to ensure that you will witness and testify to another spectacular festival. Dylan Pritchett, Festival Director, has organized trips to and lectures at the National Archives and the Library of Congress and confirmed our special Featured Scholar, Dr. Rex Ellis, Associate Director for Curatorial Affairs at the National Museum of African American History and Culture (NMAAHC). Don’t miss this presentation.

Mama Elisha Minter, our Youth Director promises fun, excitement, storytelling and special surprises for the youth when they gather to share their vision and victories.  She says, “Join us as Mama Linda Goss returns to Howard University (her alma mater) to share words of wisdom with our youth on Friday, November 13th”.

Co-Directors of the Adopt-A-Teller Program (AATP) Stanley “Bunjo” Butler and Linda Gorham were challenged this year to create and implement a successful program. They met that challenge, and with the help of the sponsors, The National Endowment of the Arts (NEA), Nora Roberts Foundation, Lois Lenski Covey Foundation and the McGraw Hill Company, will provide 39 individual performances in 33 venues and the gift of books. Tellers will perform at The Kennedy Center, the District of Columbia’s public libraries, schools, a youth service center and an assisted living facility for adults.

Host Committee Chair, Carol Alexander is excited to bring us a taste of DC Black Broadway: Stories In Music, Dance and Voice. The event will be held Thursday, November 12th at 6:30 p.m., at the Westminster Presbyterian Church, 400 I St SW, Washington, DC.  Get ready for KanKouran West African Dance Ensemble Company the Ishingi Family Dance and Drummers, gospel, storytelling and a Thursday night fish fry!

I would also like to acknowledge the transition of our beloved NABS Talking Blog Editor, Sister Linda Cousins Newton. Sister Linda was a gifted writer and editor and her dedication, friendship and commitment I will sorely miss. A true warrior scholar has fallen.  But I am pleased to announce that Donna Washington has stepped forward and will be our guest blog editor for the next several months. Donna is a storyteller, author and blogger and her personal blog post can be found at Language, Literacy and Storytelling: A Discussion About the Links Between Storytelling Language and Literacy.

See you at NABS!

UNTIL UHURU,

Sister Dr. Caroliese Frink Reed, Chairperson
Education Committee
National Association of Black Storytellers, Inc.

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A Word About Storytelling in General and Blackstorytelling in Particular

Caroliese Frink Reed, Ph.D. Candidate, Temple University

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I stand myself and my art squarely on the self-defining ground
of the slave quarters, and find the ground to be hallowed
and made fertile by the blood and bones of the men and women
who can be described as warriors on the cultural battlefield
that affirmed their self-worth. As there is no idea that cannot be
affirmed by black life, these men and women found themselves to be
sufficient and secure in their art and their instructions.

                                                                                                                                                                                                           —-August Wilson (1996)

Storytelling is an oral tradition. It allows us to convey through words the events and experiences of our lives and the lived experiences of others. Practitioners of this ancient tradition are deemed storytellers.

A good story should have a story arc-a beginning, middle and end. The beginning should allow the listener to enter the story safely, but expectant of events to come. The tone of the story-joyful, romantic, humorous, heroic, optimistic-should be set or attained in the beginning. This also can be accomplished with the tone and timbre of your voice.

The middle should present conflict or the problem to be resolved. This will build a delightful tension for your listeners that will hold them spell-bound or have their eyes wide or holding their breath. When the story is concluded, listeners will recall this emotion and characterize your story as “good” or “not so good”. This is the turning point, often called the climax of the story.

The ending or conclusion should resolve the problem or conflict. It brings harmony and balance and restores stasis to the world that you have introduced to the listener. The audience should have received a message from the story and should be satisfied, if not happy. But we know all stories do not have a happy ending. Blackstorytelling concerns itself with the historical events, social issues and cultural manifestations of African-American people.

Brother David Anderson/Sankofa of Rochester, New York tells us that “Blackstorytelling includes the body of traditional stories and new stories that inform and promote the humanity of African American people” (Anderson 31).

In performance mode, African-American Storytellers should concern themselves with certain aesthetic principles of Blackstorytelling – rhythm, rhyme, repetition and call and response. These aesthetic principles are demonstrated in other forms of African American expressive art, e.g. dance, music, spoken word and a good Sunday morning sermon.

African American storytellers should present imagery that is veracious and consistent with the values, mores and mythoforms of African American culture.

The language of Blackstorytelling is always creative, innovative, inventive, sometimes containing words or phrases unique to the culture or imbued with special meaning or emotion for that community.

Blackstorytelling is an organic force that is alive and well and fruitful. The more you give to Blackstorytelling, the more you will receive.

WORKS CITED 

Anderson, David. “A Sacred Trust.” Storytelling Magazine:The Empowering Practice of Blackstorytelling 19:5 Sept/Oct 2007: 31

Wilson, August. “The Ground on Which I Stand.” Keynote address, eleventh Biennial Theatre Communications Group National Conference, Princeton University, 1996.