Walking With Anansi

Anansi the Spider is definitely a trickster. Sometimes he is a spider. Sometimes he is a man. Sometimes he is a spider man!

Tricksters have a simple job. They are meant to show us at our absolute worst and best. At their most funny, they are extreme examples of the things that are most likely to get us in trouble.

At their most wise, the stories show us how you can overcome anyone with your brainpower.

Anansi is lazy, greedy, selfish, thoughtless, and self-centered. Lending him anything is not a good idea if you want it back. You partner with him at your own peril.

He is not above the occasional act of casual violence, and he will lie to you as easily as water running down hill. He wants what you have, and has no desire to share. He steals when it suits him, and, of course, his modus operandi is to trick you to get what he wants.

He is quick thinking, and tries to turn every situation to his favor.

Sometimes, Anansi’s tricks blow up in his face. Sometimes, they blow up in yours.

Almost every trickster is the same. They are sometimes treated as fools and sometimes treated as keepers of wisdom.

There is a story about how Anansi gained all of the stories in the world. There is another one about how he lost common sense. Looking at those two tales, it is obvious they started out as the same story and went their separate ways!

Anansi is a powerful trickster, and he shows up in places you might not recognize him, like the super hero at the top of this post!

He jumped all over Africa, morphing into all sorts of characters. There are tales about

guinea fowl, dik-dik, rabbit or many others that are clearly transplanted Anansi tales.

 

 

When the West Africans were taken out of Africa, one of the first places they were taken was to the Caribbean to work the sugar plantations. The people weren’t allowed to speak their own languages, worship as their ancestors had, or tell their own stories, but they were determined to keep Anansi.

He became Aunt Nancy or Sis ‘Nancy. You can still find Anansi tales all over the Caribbean.

Stopping that spider isn’t possible.

Here in North America, Anansi’s tales merged with the other tales that were part of the oral tradition from African lands, and they morphed into the tales of Brer Rabbit, or Bruh Rabbit.mr-fox-and-mr-rabbit2.gif

Bruh Rabbit is a unique trickster. He is the only trickster who can never be completely caught in his own tricks. He must always get away because he is the spirit of the African American people.

All of Bruh Rabbit’s stories are about the same thing. No matter what anybody does to your body, you always have your mind. Think your way out of trouble don’t try to fight your way out. If you try to fight, your trouble will get bigger. When you stop thinking, you are really headed for trouble.

Brer Rabbit jumped around this whole country getting mixed up with the Native American Grandmother Spider and Coyote, the tricksters who came in from Europe and Asia, and somewhere in the ‘40’s they all got turned into the Bugs Bunny characters.

The next time you see Bugs, you are seeing a little piece of Africa.

Anansi still shows up in our literature. His stories end up as parts of movies or shows without anybody the wiser. His stories are all around us.

Anansi lives because what he represents is irrepressible.

He is the spirit of laughter that exists in all of us. We marvel at his cleverness, slap our foreheads at his foolishness, and grin at how he uses his wits to outsmart those around him even as he occasionally outsmarts himself.

Anansi is still here. It is our job as storytellers to show him to people. To let them see how he is still shaping the way we look at ourselves.

 

On November 6-10, 2019, NABS will be holding its 37th annual Storytelling Conference and Festival in Montgomery, Alabama. Come out and share some tales, enjoy some history!

Happy Telling!

Donna Washington – 

33rd “In The Tradition…”Annual National Festival and Conference of Black Storytelling-Victory and Vision

Dylan PritchettJambo! Peace and Blessings, National Association of Black Storytellers family and friends!  Green leaves are turning beautiful fall colors. A little chill greets us in the morning and evening.  Some of us are beginning to pack for that annual Homecoming, Home Gathering of jeliw, storytellers, storylisteners and storylovers from Ohio, Pennsylvania, the New England States, New York, Louisiana, North Carolina, Mississippi, Minnesota, New Jersey, the Mid-West, West Virginia, California, Georgia, Baltimore (the center of the known universe) and beyond. Because, it is time for that annual warm hugging, bright smiling, awesome drumming, tall tale telling, audacious storytelling event, the 33rd “In the Tradition… “Annual National Black Storytelling Festival and Conference.

The organizers have been working extremely hard to ensure that you will witness and testify to another spectacular festival. Dylan Pritchett, Festival Director, has organized trips to and lectures at the National Archives and the Library of Congress and confirmed our special Featured Scholar, Dr. Rex Ellis, Associate Director for Curatorial Affairs at the National Museum of African American History and Culture (NMAAHC). Don’t miss this presentation.

Mama Elisha Minter, our Youth Director promises fun, excitement, storytelling and special surprises for the youth when they gather to share their vision and victories.  She says, “Join us as Mama Linda Goss returns to Howard University (her alma mater) to share words of wisdom with our youth on Friday, November 13th”.

Co-Directors of the Adopt-A-Teller Program (AATP) Stanley “Bunjo” Butler and Linda Gorham were challenged this year to create and implement a successful program. They met that challenge, and with the help of the sponsors, The National Endowment of the Arts (NEA), Nora Roberts Foundation, Lois Lenski Covey Foundation and the McGraw Hill Company, will provide 39 individual performances in 33 venues and the gift of books. Tellers will perform at The Kennedy Center, the District of Columbia’s public libraries, schools, a youth service center and an assisted living facility for adults.

Host Committee Chair, Carol Alexander is excited to bring us a taste of DC Black Broadway: Stories In Music, Dance and Voice. The event will be held Thursday, November 12th at 6:30 p.m., at the Westminster Presbyterian Church, 400 I St SW, Washington, DC.  Get ready for KanKouran West African Dance Ensemble Company the Ishingi Family Dance and Drummers, gospel, storytelling and a Thursday night fish fry!

I would also like to acknowledge the transition of our beloved NABS Talking Blog Editor, Sister Linda Cousins Newton. Sister Linda was a gifted writer and editor and her dedication, friendship and commitment I will sorely miss. A true warrior scholar has fallen.  But I am pleased to announce that Donna Washington has stepped forward and will be our guest blog editor for the next several months. Donna is a storyteller, author and blogger and her personal blog post can be found at Language, Literacy and Storytelling: A Discussion About the Links Between Storytelling Language and Literacy.

See you at NABS!

UNTIL UHURU,

Sister Dr. Caroliese Frink Reed, Chairperson
Education Committee
National Association of Black Storytellers, Inc.

Story Weaving, Story Sharing, Story Gathering Time!

By Linda Cousins- Newton

“Time sho’ does fly!” Can you believe it– In a little less than a month, hundreds of us from across the country and the world will once more be NABS-bound to be blessed with both the sharing and receiving of stories from some of the world’s greatest word-weaving artists. I have been contemplating for months how I will best open my mind, heart, and soul to reveal the stories lodged there during my workshop on the African-Amerindian Connections and Coalitions and in portraying the humbly great ancestor, ‘Aunt Chona, the Black Seminole Horse Trainer and Love Warrior.”

As my Georgia-born, Tennessee-dwelling Grandmama Anna Pearl, would have said, “Well, chile. I don’t know why in the world you sittin’ ’round doing so much thankin’ ’bout it.  Jes go out there, git outa the way, and let the good Lord use you to do your thang.” My first informal (and unsuspecting) mentor in the art of storytelling (while stirring up a delectable “pot” over the kitchen coal stove or while sitting around the fireplace on cold Tennessee nights–uh-oh, dating myself, aren’t I?!); well, Mama, as we all called her, just let the stories flow from her heart; no rehearsals, no mics, no costumes–just soul-based, spirit-shared stories that remained with the hearer for a lifetime.

And so taking my cue from that wise family griot–(who, puzzled, would’ve wrinkled her brow upon hearing that strange word “griot”)–I, too, will get out of the way and let the ancestors and the creative Spirit mold, shape, and share these profound stories in the best way possible through the consciousness of my being. Then I will combine my years of training as a teacher to hopefully take it “another further” by engaging the varied learning styles and five senses of those sister-brother story partakers; by incorporating music, art, a dab of poetry, and eye-pleasing visuals in spreading the Word of both the well-known and little-known cultural linkages and collective freedom quests of the African descendants and Amerindian freedomists who joined hearts, minds, love, and powerful military skills “way back when” (as Grandmama Anna Pearl would say) in our history and our herStory.

While it is a challenge, albeit a positive one, to unfold the consciousness in storytelling to a room full of master storytellers and long-time ancestralists; with the warm, loving, encouraging NABS audience, it is also a supreme delight as these story carriers and story sharers relish knowledge gathering and soul liftings. I not only daily read, ponder and research these stories, I live the story and walk the history in my daily life, so much so that the Divine Parent arranged for my marriage into a Black Seminole family and took me to the ancestral homeland with Mother Tubman’s family and her own ever-active spirit.

Yes, I believe I’ve got “some mighty good story stuff” to serve on the plates of these living ancestors, Mama. I hope to make the ancestors (including you) and the Supreme Artist of the universe proud in doing this work. And as with your stories told to the family and the l’il shy Tennessee poet “way back when”, I pray that these ancestral stories flowing from my soul will remain with the hearers for a lifetime–and far beyond. (Then I can breathe a sigh of relief, “rare back”, and enjoy the other stories flowing from the souls of these master story weavers and living ancestors from around the world.)

Linda Cousins-Newton is the Director, Ancestral Promotions in New York.